Wimoweh karaoke
Nkosi Sikelel' iAfrika : South African hymn (Congregation, St. Kasamay waradat = He Descended from Heaven : Ethiopian Sunday school song (Women's Choir, St. Excerpt from an Ethiopian Christmas ritual (Dabtaras of the Bahta Church, Addis Adaba). Yome fesseha kone = There is joy today : Ethiopian Christmas chant (Berhanu Makonnen). Changó : toque from a Santería service (Milton Cardona and Ensemble).
Melody for Mahakala : Tibetan chant : excerpt (Gyuto Monks). Adiós Nonino : new tango (Astor Piazzola and Quinteto Tango Nuevo). La Cumparsita : tango song (Carlos Gardel). Aao Nachiye = Come let's dance : bhangra (Sangeet Group). Scotland the Brave : march (The Simon Fraser University Pipe Band).ĬD 3. Tema para Quinceañera : Mariachi song (Mariachi Juvenil). Amba Nilambari = Oh, Mother clad in blue (T. Araro Ariraro : South Indian lullaby (Jayalakshmi Sundar). Durme, durme = Sleep, sleep : Judeo-Spanish lullaby (Voice of the Turtle). Barbara Allen : English ballad (The King's Noyse Ellen Hagris, śpiew David Douglass, dyrygent). Barbara Allen : Anglo-American ballad : two partial performances (Mrs. song : political campaign song (The Kingston Trio). Wimoweh : American folk version (The Weavers). Wimoweh : South African mbube (Solomon Linda's Original Evening Birds). Taruna Jaya = Victorious youth : composition for Balinese gamelan (Gamelan Galak Tika). Hagerei = My homeland : Ethiopian song (Ephrem Tamiru).
Fado Lisboeta : Portuguese ballad (Amalia Rodrigues). The ballad of Buddy McClean : Irish American ballad (Derek Warfield). Sikuri : traditional Peruvian melody (Luis Vilcherrez Marco Covenas). Jay Ganesh = Praise Ganesh (Sanjeev Abhyankar, principal singer, with chorus). Atumpan : talking drum, Denkyira, southwestern Ghana (Elizabeth Kumi, appellant Joseph Manu, drummer). Agbadza : Ewe song and dance (Members of the Dzodzemidodzi Association and Milo Mianoewo). Sama'i Bayyati : Middle Eastern instrumental piece (USBC Middle East Ensemble). Wannian hua : Eternal Flowers, Lijiang, China (The Dayan Ancient Music Association). Lenëën : Senegalese mbalax (Alioune Mbaye Nder Le Setsima Group). Kyrie : Roman catholic mass (Indiana University School of Music). La bonne femme Robert : old lady Robert : Quebecois song (Bernie, Normand, Marc, and Michael Ouimet). Time : song from Andros Island, Bahamas (Men from Andros Island, Bahamas, led by David "Pappie" Pryor). Lenëën Bàkk : Wolof sabar drum rhythm (Lamine Touré). Bushfire : didjeridu from Northern Australia (Alan Maralung, voice with rhythm sticks and didjeridu). Rag Des : North Indian sitar (Ustad Vilayat Khan, sitar). Anush garun : Sweet spring : Armenian duduk (Gevorg Dabaghyan Grigor Takushian). Mwen boyko samb : steel drums from Dominica (The Rise and Shine Steelband). Mbuti musical bow (Mbuti musical bow player). Wreck of the Old 97 : traditional American folk song (Dorsey Dixon). My beautiful Hangai Land : Mongolian long song (Sumya, śpiew Orchirbat, morinxuur). Katajjaq on the syllable "hamma" : Inuit vocal game (Inuit singers, Baffin Land, Canada). Windhorse riders : harmonic chant (David Hykes, śpiew Djamchid Chemirani, zarb). Demonstration: The role of harmonics in determining sound quality (Kay Shelemay Petra Gelbart Michael Cuthbert Julie Rohwein). Artii-Sayir = The fare side of a dry riverbed : kargyraa khoomii (Vasili Chazir). Pity that the two of them were almost reconciled only for Lennon to meet his cruel and untimely death.CD 1. The personal disputes within The Beatles of course are well known and documented with both Lennon and McCartney very different characters. Huge bitterness was very apparent still to this day from Police guitarist Andy Summers who came up with the instantly recognisable guitar 'riff'.but hadn't written the song. Great songs you expected to be there, but weren't! Radcliffe did a superb job of explaining the 'behind scenes trivia' of each song along with the legal eagle guy (sorry can't remember his name!). It would have been interesting to hear someone talking about the "magic combinations" that really chime with the listening public!īrilliant show though, exactly the sort of thing that BBC4 does best.īIB.couldn't agree more. I wish they'd had a musicologist to do a bit of analysis on the songs themselves (for example, the similiarity in chord progression on Stand By Me and Every Breath You Take). Fascinating programme! Great subject, engaging presenter with a genuine interest, and talking heads who really knew their subject.